Journal 2
Read the questions and write 3-4 sentences in response to each question.
The significance of the story is determined by the power of its comment on the human condition and the journey. What comment is being made in this movie about what it is to be human and the role the journey plays?
Compare the car scenes with the red car at the cenote (sacred Mayan pool) or the chases on the road with other films you have seen with car chases.
As the story progresses toward a conclusion, internal as well as external conflicts suffered by Ana/Marilú and Aurelia are resolved. Select one of the major characters and describe her internal and external conflicts. In addition, tell us how the character’s choices lead to a resolution of these conflicts.
If you had a chance to ask the screenwriter a question, what would it be?
How does this road movie film compare to other ones you have seen?
in the separated page write . Discussion 2
Make a comment on each of these questions, then read a posting and comment on at least two of your fellow students.
What are some of the most memorable images in the film and why? (María Rojo has said that she wants to make a cinema that emphasizes images, rather than dialogue.)
What role does maternity play in this film? How does having a mother on the run add to the tension in the film?
How does the way each woman dresses and speaks Spanish contribute to her characterization? What social class and region of Mexico is each of them from? Which do you identify with more and why?
How does the relationship between Ana and Aurelia develop, and is it credible?
The resolution of the film teaches a lesson about journeys. What does the film say about journeys? How can you apply the lesson in the film to your own life?
the movie name is “Sin Dejar Huella” (Without a Trace) 2000
